shake the mind encapsulates the sound of clouded vision recordings, with a long awaited single from matt walsh, backed with a remix from daniel avery. alongside the radio edit, the title track is a 7-minute trip of late night acidic techno, with a nod to matts new wave and ebm influences. the double a-sided vinyl is completed with a pounding slice of atmospheric techno and the first new piece of music from daniel avery, since the release of his critically acclaimed album, drone logic last year. dan returns the remix-favour to close friend matt after his version of free floating appeared on the drone logic remix album new energy earlier this year.

pole is world wide known as influential producer of electronic music with a huge reputation and fan base pole has heavily influenced the electronic music scene with his album trilogy 1.2,3 (kiff sm / pias, 1999 - 2000) followed by highly acclaimed albums on mute records (pole, 2003) and scape (steingarten ,2007), and the 12inch series waldgeschichten on his own artist label (2011-2012). ˇ, pole has been constantly playing live and preformed at an enormous number of festivals and in clubs all over the world.very successful presentation of wald with a special a/v show at intonal festival (malmö), mutek festival (montreal), as well in seattle and boston april to june 2015 lp vinyl will come with an etching on the d-side and free dl code for cd version plus album mix.

brilliant 2nd edition of the weimar based vinyl only label. quality for music-lovers

go features q-tip. video shot by micheal gondry. the 12 inch includes extended version and edge of control dub mix. heavyweight 180 gram vinyl.

special rerelease.. time has come to unleash the fifth cut of the beatjackerz series. 50hz has been one of the key imprint when it comes to serious chicago jacking. each and every release comes with a dancefloor session by numerous well-known players. here are two more legends of jack, jamie bissmire and bam bam. no introduction needed, we are sure. let the beats do the talking and the groove do the jackin! a serious taste of what has been pumping through the heart of chicago for many decades now..! complete with vocal version, instrumental and even an accapella bonus!

the 2nd ep on be an ape in 2015 is served by colognias finest jonathan kaspar. avoid is raw track with fizzling acid grooves, moving into one direction: dawn. the release is joined by 3 fantastic remixes. brothers vibe, the legend from new jersey keeps it bassy with a touch of funk in an oldschool way. bas amro combines deep melodies with a real hands up drob. maxi mill adorns his version with a vocal and a great bassline. modern and gergeously analog - go cologne, go new jersey, go amsterdam,

super hot reissue of the in-demand original clear vinyl 12inch version of ‘give me a dance by kym released on the small but collectable baltimore label award records. with its electro / proto house groove, it became an anthem on chicagos wbmx in the early eighties and with a sexy vocal, killer synths and phat analogue b-line, this delicious slice of boogie goodness has recently found its way to the top of many a wants list since being championed by dj harvey. superb!

nils frahms late night tales sind eine hypnotische reise durch moderne und klassische komposition, experimentelle elektronik, jazz, dub-techno, filmmusik und soul, gleichsam verstörend wie betörend.

another day , first track of the ep, starts with some radical percussion based house that leads to a gliding deep base, underlined by vocals. in collaboration with gallya on she said , the duo takes it to the deeper level and combines spheric sounding percussion with gliding mallet notes which distinguish the track. afterhour straightness that involves all leftovers to move. last but not least, simone vitullo adds an arpeggiated techhouse-version of another day to the ep. a dark sub surrounded by minimalistic hats and strict but heavy beats bring down the sound of an great acidic house work. definitely an ep to play at dark and dusty hours.

it grabs you and turns you round. resistance is futile. fall into it gleefully because the darkness has been lit, there is a chill in the air and you feel as taut as a bow. laurent pastor and marc lapeyre (fkclub) are responsible for decadanse where ice doesnt hurt anymore according to the whisper in the title track. the label head was convinced by his partner to start production in a basement studio to create a sound using guitars and synthesisers. the coming together of these 2 strong (id)entities has culminated in an ep which is cinematic (train in vein, easy drive), distinguished post-punk (plan b) and electronic (decadanse). and when susuma makai ventures into the meandering ruin, he delivers a mind-blowing version.

tropische bass-sounds aus der rave- und partyszene limas. die bassschwere compilation *peru boom* vereint die schlüsselfiguren unter den peruanischen djs und produzenten, die dafür gesorgt haben, dass perus hauptstadt lima zum absoluten hotspot der südamerikanischen rave- und partyszene wurde. tropische bass-koryphäen wie dengue dengue dengue, dj chakruna, animal chuki und deltatron stehen in der tradition von chicha und der peruanischen cumbia. diese einflüsse verändern sie digital und lassen sich dabei von dubstep, techno, trap, grime, house und electronica inspirieren. was für detroit der techno ist und für chicago der house, ist für lima der tropical bass - ein amorphes stilgebilde, an dem produzenten und djs aus der ganzen welt mitgewirkt haben. *peru boom* ist nach *peru bravo* und *peru maravilloso* die dritte peru-compilation, die das label tigers milk (in zusammenarbeit mit strut) veröffentlicht. für fans von diplo, switch, spoek mothambo, dengue dengue dengue, dubstep, techno, electro, cumbia, chicha, dubstep, mad decent. das doppel-vinyl erscheint im klappcover, downloadcode inklusive.

limited edition, 12 inch printed deluxe sleeve, 180g vinyl, limited edition, vinyl only sampler of second album from house music legend satoshi tomiie - features one vinyl version of album cut and remixes from fred p. and satoshi tomii

tensnake s standard in the end (i want you to cry) release gets not one, but seven remixes. a nod to the good old remix double pack craze of the nineties, you will find them spread out over two plates. ranging from a classic tiger & woods treatment to prins thomas quirkiness via lone s happiness, two versions by shan, the timid dj oyster as well as pete herberts & dicky trisco s respectful re-arrangement, this one has it all: disco, techno, jungle (alomost!), house, cheese & chocolate!

with each successive volume of throne of bloods moon rock compilations, the new york label attains a deeper appreciation of electronic musics most chakra-massaging tendencies, participating in a communal dialogue devoted to a new dynamic beyond the confines of the dance floor.

double 12 inch vinyl + download code & art print.

triple vinyl sales pack from noir music, featuring these eps:
- nmb042: habischman ft cari golden - diabolic (red vinyl)
- nmb043: alex flatner & msms ft. cari golden - love is a condition
- nmb048: noir & sandy rivera - s.o.t.o.m. (blue vinyl)

die kooperation zwischen roedelius und müller entstand nach einer gemeinsamen konzertreihe 2012 in paris - mit weitgehend improvisierten auftritten. entstanden ist nun mit *imagori* ein album, das dem bisherigen werk beider musiker ein völlig neues kapitel hinzufügt. das album erscheint auf pink transparentem vinyl.

special vinyl alert! 2 amazingly warm and mysterious deep analog detroit & chicago tracks. both produced in the late 80 s and recently discovered from unknown artist s, for fans of derrick may, larry heard etc.. limited hand stamped copies.

we welcome back subjected for his debut ep on sleaze records! the berlin based artist has been on fine form of late, releasing on esteemed techno labels like electric deluxe, polegroup and of course his own vault series imprint. this is subjected at his best, featuring 3 quality original tracks and a great remix by new scottish talent deepbass.

frankie knuckles and jamie principle first collaboration from 1985. all three original mixes included including the incredible dub version. this is jamie principle s first commercial single and was originally released on his own persona label before later being re issued on trax early 2000 s. re mastered and re issued for 2015 on trax. released in conjunction with the rights holders.

rekids welcomes madrid-based producer regal to the label for the first time, with the long-awaited release of the figure/enemy records affiliates interpretations of ghetto kraviz. with the original named by fact magazine as one of the top 100 tracks of the decade so far, regals 303 and dub remixes have meanwhile been a recurring feature in the sets of djs including nina kraviz, who fell in love with them immediately upon being sent them last year, leading to their eventual release on matt edwards s recently re-launched imprint. the a-side sees the involve records boss turn in an jacking, acidic take, while on the flip, the dub version heads in a more classic techno direction, replete with pounding kicks and cathedral-filling reverb. these are two killer remixes have been going down a storm…!

carl finlow could be regarded as one of the cornerstones of not only 20/20 vision, but also of british electronic music. his boundary pushing, electro-tinged productions under the random factor alias make for essential 20/20 listening, as does his work as 1/4 of 2020soundsystem. while this year has been about looking to the future of the label, we also felt it was important that we looked deep into our history and revisited one of our all time classic records: random factor – broken mirror. on the a side carl has prepared a new ‘revisted’ version for this release and this is accompanied by the original version from 1999. for the remixer we thought long and hard about someone we felt would be suitable. someone with pedigree in the electro scene, who would feel as passionate as we do about making this release something truly special. there was only really one person we wanted and luckily when we contacted legowelt he was a big fan of the original track and was super keen to get onboard the project. we hope you enjoy these two pioneers of the electro scene going head to head x

re-release of ian pooleys classic wildpitch infected house bomb, dont you be afraid. originally released on force inc. us in 1995. comes with a new dj friendly edit by ian himself.

embezzlement society takes us back to the early days of 80s hip-hop with his ‘rough quarters ep. on his record the man from belfast heavily relies on funk-based drum loops as were popular in the glorious days of old school hip-hop. the results are two super casual tracks with a cool hip-house attitude just perfect for hip-house lover drei farben house who took the chance to contribute a remix in his slick and smooth style, merging the raw drums with some tender rhodes. tenderpark regular roman rauch finishes off the ep and slows down the tempo in his remix concentrating on the originals of the samples and displaying his mastery with the mpc once more. as always all tracks have been mastered and cut by helmut erler at dubplates & mastering.

youandme is acclaimed collaborative project between berlin based pair martin and daniel. they make raw, emotive underground sounds and martin recently turned out a well received full length album on ornaments that explored far and wide. they did official works for artists like moodymann, radio slave, seth troxler, lawrence and many others. they also run rotary cocktail and 3 other mysterious labels...

blackest ever black presents red x, the debut release from young echo member ossia. 10 unyielding minutes of noise-strafed, rootical techno backed with two more abstract, uncanny studies in reverb and delay. vinyl-only edition of 500 housed in beautiful screen-printed sleeve designed by studio tape echo.

kevin martin alias the bug kollaboriert mit der jamaikanischen dancehall-reggae-legende burru banton und liefert uns zwei monströse tracks! die 12inch erscheint auf rotem vinyl und mit gravur auf der b-seite!

new to the stay underground it pays gang, the eighth release on the label comes from none other than octo octa! you know him from his prolific run on 100% silk, and more recently for his ep on gerd jansons running back label at the top of the year. the man from brooklyn serves up 4 slices of that u.s. experimental house sound we love so much. on the a side, we have two versions of octo octa’s melancholic title track, requiem for the body. both as good as the other, it’s gonna be split for a lot of listeners on which is better. while both versions share certain elements, the second plays down the long keys of the first versions in favour of some stabby chord patterns. either way, proper 4 a.m. business!on the flip, we get a bit more ethereal with times two (loose version). simple yet effective, this one has a lot of atmosphere with those delayed vocal cuts over that late 80s bassline. closing out the record is when home. this one is a bit of a stomper at first until it brings in the lighter synth elements halfway through. someone, somewhere will have an epiphany listening to this track. if its you reading this, send in the results on the back of a postcard. all in all, another killer release that feels straight at home in the stay underground it pays catalogue

dropping ahead of the release of tim deluxes new studio lp the radicle, love is is the next single taken from the album, presented here in its original form as well as an additional dub version. a jazz-fueled, bluesy masterpiece with a heart wrenching vocal sublime live instrumentation and incredible production values, love is demonstrates just how far tim deluxe has come as an artist, and is indicative of the quality of the album as a whole.

berlin atonal is proud to pick up on a tradition begun in 1984 with the publication of two volumes of live recordings from the 1983 edition of the festival. those records bore witness to the most inventive, adventurous sounds of the festival, and therefore of their time, containing live bits from psychic tv, la loora and zev. berlin atonal vol. 3 carries this custom forward three decades with selections from four of the standout performances of berlin atonal 2014. of course cabaret voltaire’s lauded and historical ?rst show in over 20 years is featured, richard h kirk’s no-nostalgia and machinery driven set ?rmly putting the cabaret voltaire project in a future-facing direction. miles whittakers surprising and muscular live performance also contributes a cut, as does festival favourite fis with his characteristically lumpy, textural soundscapes.

cheerful percussions and a nice bassline with a good vocal welcome us for the first track same named as the ep. the remix version is made by enzo siffredi, one of the stylerockets-newbies and a high talented dj and producer based in brighton. the remix version is more ticked and pushing. pitch pink is number 3 and colours up your life with a perfect sound arrangments. elmar strathe pitched a bit more and gave a great remix track to the ep.

180 gr vinyl... jose padilla s so many colours has been one of the albums of the year for many. the remix package for lollipop features luscious remixes from i:cube, dream2science and a special 12 inch version from original producer telephones.

erfolg ist wie david bowie: dünn und gut (erfolg) erfolg ist aber auch: johannes von weizsäcker, den manche als mitglied der london-berliner popgruppe the chap kennen dürften. hier wagt er sich an deutsche texte. auf dem gleichnamigen albumdebüt erfolg singen erfolg und der beste damenchor aller zeiten nun couragiert gegen das leben an. das album enthält betrachtungen zu pop-festivals, flüchtlingslagern, dem internet, zu ideenreichtum, sekt, negativität und natürlich zu erfolg. es enthält tragik, verwirrung und trockenheit, melodisch eingängige, rhythmisch erbauliche popmusik und sogar ein rockgitarren-solo. aber auch die große sehnsucht kommt nicht zu kurz, wie etwa in der techno-elegie klaviermann oder der selbsthilfe-hymne erfolg. die vinyl-lp erscheint inklusive cd-version des albums.

a booming clavinet led banger from everyones favourite disco uncles, eric duncan and dean meredith. heavy on the lasers and scything hi hats with a bassline as deep as you would expect from these fellers. marcellus trademark sound is all over his remix - sultry rhodes and sweet, driving funk, and the central executives version strips it to the bone, revealing not a skeleton but a robot. a robot playing a fucking saxophone! rock on, dudes. golf channel every time!

this 12 comes full circle feat. a remix by further reduction and two mixes by answer code request.

gonno reclaimed the almost forgotten poetic art of a musical journey that unite ambient, techno, house

this version of the end of it all will ensure the tracks legacy as one of johns most valued classics

limited 2015 special pressing
gold labels, clear/ white split vinyl / colour in colour

the ”sound dig series” returns with the same spirit of collaboration and distinctive sound that set it apart from the compilation fray. this time around the familial gathering features, introspective, jay mond, sean bird &wallflower, along for the ride in part 1 of the vinyl version of this series.

bazzerk is the multiform label project run by jess & crabbe and is released under equal bazzerk and mental groove moniker.lcindo joaquim, known as dj afro pupo, was born in 1992 in the terra nova district of luanda. although the influence of us deep house and south african house are obvious on angolan afro house, its direct affiliation with the kuduro, or most traditional kazukuta and semba give it its own unique identity

for the remix we had the pleasure of winning berlin s kiki, who kept the vibe intact adding melodic leads that take the scene complementing a bouncy bassline and using the vocal in a very minimal tasteful way. the package is completed with a dub version of the original, suited to the darker moments and sets.

the originals -excuse me-, keep going-and first kiss , taking inspiration from ... they sounds fresh and housie, got a shaky beat accompanied with sexy male vocals. the remix -first kiss- done by jumaira, is the little hard version with an impressive groove, kittenish but tight. we can and will say for sure, these tracks will find their way on the dancefloors around the globe.

ltd release no repress banging techno tracks ... your choice

deep and moody house excursions.

limited edition remastered of the rare phillip wright classic!

mr cole presents a secret record package to mr d at beacons festival, yorkshire 2013. did he receive it? yes he did, the next week he played it at a new york loft party and subsequent sets world over. he loved it! so here we are acasuals spring theory remixed by the loving tenderness of move d. also luv*jam works up a secret nip version.

super rhythm trax is back this time with italian producer g-23 (secret rave) who delivers 2 monstrous slabs of mongrel acid music. -kidding kids- is an ultra fresh beast of a track that sits comfortably outside classification, melding acid with a super heavy breakbeat and peppered with uk garage references. -mountain s acid- goes for a straight up 4/4 acid track with a deep bubbling acid line that hooks you early and keeps you locked throughout, while on the b side label boss jerome hill is on remix duties turning in a tweaky, tracky acid version of mountain s acid with heavy bottom end and funked up drums. support from: blawan, seth troxler, matthew herbert, serge (clone), josh wink, truncate, j.tijn, dmx krew, warlock, hackman, phil kieran, dj tlr, alan fitzpatrick, tom findlay (groove armada), shadow child, eomac, john heckle, dj deep, stenny

the fourth release on the martinez brothers’ cuttin’ headz imprint, the bros from the bronx come up with some old school flavored house vibes with their remix of the basement jaxx feat. sneak “sneakin’ toronto”. they snagged the remix package from the veteran electronic music duo as a lead in to the basement jaxx full length album “juno” expected to be released later in the fall on atlantic jaxx / pias. the vocal version features a flurry of different spoken word phrases chopped up and filtered. the dub is for the vocal-phobic members of the public - a bubbly slice of jackin’ house that will brighten the dance floor.

dark sky veröffentlichen mit ihrer -voyages- remix-ep ein zweiköpfiges monster straighter 4x4 clubmusik. die beiden remixe verwandeln den sound des englischen trios in etwas komplett neues: während sich das befreundete londoner francis inferno orchestra auf den perkussiven teil des originals konzentriert und dessen rasselnde struktur in einen verspielten tribal house-rhythmus verwandelt, hält redshape dagegen und liefert eine mörderische techno-Überarbeitung. sein remix übersetzt -voyages - zentrales, stimmungsvolles sci-fi-thema in eine starke bassline. ein perfekter move, die zischenden bass-synths machen den track zu erstklassigem club-material.